Gert & Uwe Tobias
N.S., K.A., C.G., O.R., F.Y
Cologne, November 4 - December 20, 2006
‘N.S,K.A,C.G,O.R,F.Y.’
Gert & Uwe Tobias
Gert & Uwe Tobias – N.S, K.A, C.G, O.R, F.Y In this year's autumn
exhibition, the Michael Janssen Gallery is pleased to present a new piece by
the artists Gert & Uwe Tobias. The Tobias brothers presented their first
individual exhibition at the gallery in 2004, which was entitled Come and see
before the tourists will do - The mystery of Transylvania. The artists' pieces
were subsequently presented internationally at individual and joint exhibitions
– including a solo project in September 2006 at the UCLA Hammer Museum
in Los Angeles.
The focus of this exhibition lies in a large scale woodcut. This technique has
its origins in 1st Century Eastern Asia and only gained artistic significance
following Dürer's "Apocalypse" in the 15th Century, is one of
the twins' main fields of artistic activity. Gert & Uwe Tobias have rediscovered
the tradition of woodcut as a medium of artistic expression, developing it further
as a new kind of individual art form.
The composition of the woodcuts focuses on five frontal figures standing beside
each other. Their bodies are reduced to individual geometric elements that solidify
to resemble a Cubist unity. While the artists pick up on the tradition for the
structure of the figures, their larger-than-life size suggests a completely
new aspect. All except two of the figures fill an entire paper lane. They are
meticulously attached to each other, edge to edge, line to line and figure to
figure, creating a piece with the size of 348 x 802 cm, which is unique for
the medium of woodcut.
Although the viewer is initially confronted by a group of interconnected figures,
the individuality of each figure becomes clear at a second glance. The detached
appearance of each individual is expressed through their position in front of
a dark background without any decoration. It creates a spatial encapsulation
to highlight the intensity of the individual figures and give them their remarkably
radiant power. Each figure has its own unique form.
In addition to their own imagination, Gert and Uwe Tobias' image worlds evoke
a mythology that has its sources in elements of fables and folklore, Gothic
and Baroque art, and even comics. They create seemingly folkloristic masquerades
that disguise the figures' identity. The title of the exhibition refers to five
different initials of names (N.S, K.A, C.G, O.R, F.Y) that remain undisclosed
and unfamiliar to observers. In the absence of elements that could be interpreted
as meaning by the observers, the monumental figures rise above them as the only
signifiers of an expressive image, filling the room with a majestic aura.


